Actually it was the reply to a tweet. The one below in fact. Suddenly, going through twitter in the morning before getting out of bed changed the trajectory of the entire summer and, in all honesty, may have helped my reconnect with a very long forgotten piece of myself. I’ve used the analogy before, but in this case I very much feel like Columbus who has discovered something that thousands of people already knew about. The Ghostbusters cartoon, that is The Real Ghostbusters, had a comic.
So it goes, that April 19th began a tireless internet search for any format of any of these comics I could find. I lived for the ghostbusters cartoon when I was a kid. I saw the series before the movie and was always a bit bummed that Egon did not look the same in the movie. If I ever had a television hero or role model as such, it was Egon. Cartoon Egon. I can’t tell you how hard I tried to get my hair to roll like that. Incidentally it was the late 80s and early 90s and I did have the rat-tail too.
Not a single person I knew was into comic books when I was a kid. To be fair I grew up mostly around adults, but still I don’t remember classmates bringing any to school or whatever. The first one I bought was an Uncanny X-men that was in the magazine section of the grocery store (Brookshire Brothers is its name), because I had been watching the animated series on Fox Kids on Saturday mornings.
I kept up with the story arc until at some point in Jr. High school, I was made to get rid of my collection of two large Nocona boot boxes full of comics, by this time X-men, Ninja Turtles, and Wolverine because they were “a fire hazard.” I gave them to the one person I knew had comics and as far as I know he still has them all to this day.
When I tried to get back into them later when I had my own place that I wasn’t concerned with pyromaniac comics burning down, I found that the single story lines I had followed had been split into seemingly limitless different arcs and I absolutely hated it. I didn’t pick up a comic again until this year.
The original run, drawn and written true to the cartoon are a thing of beauty. Not far into the run, there is Egon pointing out the debates on the warm-bloodedness of dinosaurs. That was neat enough, but when I got to the issue that had the reference to Symmes Hollow Earth theory I was hook. I am a historian of science (specifically earth and field sciences, geology, paleontology, and archaeology) so it was fascinating to see that obscure reference in a comic from 1988 aimed at kids. I now have an enlargement of that panel on my office wall.
In addition for finally rounding up all the original US comics and digitizing them, I lucked on to a fellow from the UK selling the first 100+ of the UK Mag comics. I have about 15 of them digitized, but they are coming along. That aside, something interesting started showing up in the google searches for Ghostbusters comics–(and here we have the second voyage of Columbus) there were new ones.
They were new, but they weren’t new. They are brilliant. They are absolutely everything that a fan could possibly want in a 21st century rendition of the franchise. I hate to admit just how long it took me to get used to the newly drawn characters specifically because I love all the artwork and the artist Dan Schoening (@Dapperpomade) is such a great guy and a must follow on Twitter if not for interaction then for his sneak peak/previews (including some really neat post-it art).
There could be a full manual written on just the easter eggs and sly references to other incarnations of the Ghostbusters that he includes in the series. When I started reading the series (that is now more than a couple years old) the appearance of Belushi as Ray’s Dreamworld Virgil pretty much squashed any doubts I had about where this was going. The writing, masterfully executed by Erik Burnham (@Erikburnham) brings everything together in a way that make every single issue enjoyable every single time you read one.
What I think I love the most amongst all this stuff that many of you have been enjoying for years is the fact that it does the very opposite of the thing that turned me away from comics all those years ago. Instead of splitting stories into backstories and alternate universes and riding relative dimensions to some weird end, the IDW publishing series is tying in everything. That is everything. The cartoons–yes, plural, even that weird one made for teens is represented, the movies, the video games, it is all coming together and that, for me, is a nice bit of Ray Stantz cosmological symmetry.
They, along with Tom Waltz (@TomWaltz) produced the crossover to rule them all: Teenage Mutant Ninja Turtles Ghostbusters. (I don’t want to leave the colorist Luis Antonio Delgado out either, the stuff pops on the page and looks amazing on a retina display iPad, Luis doesn’t have a twitter that I am aware). God, how I wish this would have been done when I was a kid, because the very UN-esque agreement that my mother made me submit to in order to get Ninja Turtle toys was to make room for them by getting rid of my ghostbusters toys. That this even exists is a tribute to humanity’s greatness. I am telling you, t is golden record in space worthy.
Every page has comes with something like this. Which, of course, has led to backtracking to Tom Waltz recent runs with Ninja Turtles proper and it doesn’t disappoint either, but that is a thought for another time.
Currently they are running a 4 part Ghostbusters Get Real, wherein the cartoon ghobstbusters have crossed over into the new/real/comic universe. Never before have I wanted to hit up a Comic Con and get anything signed before, but this series has me looking at future locations.
The third one is out in a couple weeks and will feature Egon on the cover, so I am more than a little excited for that. The story is running true to all forms too. The best news comes that they are also working on a Ghostbusters Annual for the end of this year and a full new series (this will be Vol. 3) for 2016 along with a full published Tobin’s Spirit guide. There is really much, much more to say about just how wonderful all of this is and most especially for me as it recaptures a lot of what I was before life really got in the way. It also doesn’t hurt that I am finding it as I am working on my PhD research. A quick read through of one or two issues is a welcome break and recharge from digitizing thousands of WPA letters and funding, locality, worker records, and bureaucratic paperwork. I will, with all sincerity but these guys in my acknowledgements when the dissertation is finished.