I have found it odd that the case has to be made to study photography and art as source material and not merely “visual aids.” The only think that is even more odd is that this case is relatively recent.
This will be one of the shortest posts made on this travelogue through everything in print (Every time I start this way I drone on for over 1000 words). This is not due to the end of the semester doldrums (I’ve been on 12 -month work contracts since moving up here) or the holidays (I’d rather not do them), but because the bulk of what I have read is review of review of things that I have already written about at great length. Continue reading The Road to Comps part 16: Art and the American West in the 19th Century: Studies of Individual Artists
Art and the American West is the most recent undertaking of my long and checkered career as an academic. Since finishing my MA in the History of Science, Technology and Medicine I have spent a great deal of time in our Art History department learning ways to tie in the arts to the American cultural studies that I seem to have fallen into in recent years.
Turns out Hugh Hudson has a new film out that focuses on the discovery of the prehistoric cave paintings in Altamira. If you aren’t familiar with the discovery, the Cliff Notes version is an 8 year old girl named Maria led her father Marcelino Sanz de Sautuola to a cave which held amazing paleolithic paintings of bison among other wonders; scientific debates ensue. Continue reading Prehistory and Paleolithic Pop Culture
If you ever make it to Oklahoma City make it a point to visit the National Cowboy & Western Heritage Museum. Formerly the Cowboy Hall of Fame don’t let its name and location fool you, there is something for everyone inside the gates. Continue reading In the Gallery: The Cowboy and Western Heritage Museum
When I looked back through my posts to study for my midterm exam, I realized that I had neglected a post on Karl Bodmer and his patron Prince Maximilian. I intend to remedy that here, and give a few examples of how exacting and detailed Bodmer’s work was. If you appreciate it for no other reason, you should at least respect its authenticity. Continue reading Karl Bodmer: Exacting Expeditionary Artist
The year is 1851, you make your way through the streets of Philadelphia to a small theatre where scores of other interested parties are milling around waiting to be allowed in. You deposit your 25 cents for admission (12.5 cents for any children you have in tow) and make your way inside. Continue reading Panorama of the Monumental Grandeur of the Mississippi Valley
This weekend I had the opportunity visit the Amon Carter Museum of American Art in Ft. Worth, Texas. If you are ever in the vicinity make room for a stroll through Ft. Worth’s Cultural District over to Camp Bowie Street and visit. Carter’s bequest that set up the museum after his death has made it possible for the museum to maintain FREE admission to this world class installment of American Art. Continue reading Bingham Redux: Navigating the West at the Amon Carter Museum of American Art
The second part of the grandscape troupe (of which there are more than two, really) features Thomas Moran. Moran was born in England but became one of the most identifiable and popular members of the Hudson River School. Continue reading The Grand Landscape Pt. 2: Thomas Moran
With the millions of bytes of internet storage dedicated to the work of Albert Bierstadt, there is little I can say here about him that wouldn’t be said better elsewhere, what I will do is collect a few of his works here in order that I can easily scroll through them when I need a quick reminder of the quintessence of the Dusseldorf School. Continue reading The Grand Landscape Pt. 1: Albert Bierstadt