I was talking to a friend about paleoart a couple weeks ago. We were talking about how the first thing you absorb about something is generally what establishes your head canon and makes it hard to change. I realized that a good portion of mine came from two-page spreads in Zoobooks like this one:
I was originally just going to throw some fun screen grabs from these early time machine Phineas and Ferb episodes up on the Paleo Porch facebook page and be done. While going through the episodes for the shots though I noticed there was more to say and show about the museum than just the “back-in-time-with-dinosaurs” trope.
There will not be any more information here than you can learn on Zdeněk Burian’s wikipedia page, but what I have done is compile as many of the loose plate copies from his works that they are selling on ebay and dropping them into a giant album of varying resolution. I have also ordered a couple of his books that haven’t been translated and was going to wait until the arrived to post, but they haven’t even shipped yet.
There are countless instances of Irish heritage showing up in popular culture one way or another. They range in seriousness from say the clan wars in Gangs of New York to a box of marshmallow cereal. I think that there are two reasons that The Real Ghostbusters cartoon series drug so much out Irish lore: 1) They live in New York City and B) There is a lot of it. Below is just a running list of things–episodes and issues–that can make your St. Patrick’s Day a little more Ghostbuster-y. Currently (as of 3.17.18 The Real Ghostbusters is streaming on Netflix and The Extreme Ghostbusters are on HULU)
There is so much stuff I need to catch up on. I need to write about getting a full time position, how my dissertation work is shaping up, and how I finally wrapped up the Shead stuff. But, a collected set of commercials came across my social media feed the other day and that pretty much has set everything else in the back seat.
The conclusion of this painting’s 700 mile 20 year round trip is a fitting end to this series of my work and I feel like my summer projects have been finally completed.
If you have been following along, you will recognize the crescendo of this Shead story has taken over my posts and summer research. It is hard to think of anything else I could add to what I’ve discovered so far save just adding to his already herculean numbers of completed pieces of art. Following the magazine covers that were part of his enormous portfolio and utilizing the interlibrary loan services at my library I secured a few copies of the Specialty Salesman Magazine.
Several days after visiting with Ralph’s great nephew, Bill, he called me to say he had found a small watercolor study for one of the old museum dioramas and a few charcoal studies that Ralph had done as a student and others that were originals submitted as accompanying illustrations for short stories.
To continue from the end of the previous post, this will just highlight the largest painting completed by Ralph B. Shead. This Oklahoma Geologic Map is dated 1938, making it another in the line of WPA paintings.
For me, History is filled with people and things. I have never really indulged in the movements and theories and isms that seem to infect the past presently. For a historian this is a professional character defect, for me it is what brings history alive and allows us to find our connections to it. It is likely why I spent so much time learning archaeology and paleontology. I believe it is ultimately what lead me to the history of science so I could talk about all of that at once.